
Artissima 2023, Turin
ChertLüdde Booth BTTF9
3-5 November 2023
For the 10th annual Back to the Future section at Artissima, ChertLüdde is delighted to present a solo presentation by Clemen Parrocchetti. Reflecting a key point in the Feminist movement in Italy around the 1970s, Parrocchetti’s historical position embodies an eruptive artistic presence that unravels the politics behind common objects of artisanship.
Needles, spools, bobbins, and textiles are some of the many materials repurposed in Clemen Parrocchetti’s (1923-2016, Milan) tapestries and sculptures from the mid-1970s onwards. Considered domestic items, Parrocchetti’s choice of media fiercely subvert conventions around art production and the subjugation of women, which was developed from her earlier research into the representation of women through the medium of paint, a tradition she abandoned at the end of the 1960s as a political gesture to distance herself from and to challenge the male-dominated field of painting at the time.
Largely unseen, her paintings on display from 1969 captured the struggle for liberation and self-definition through various disassembled and distorted figures. Bearing titles anticipatory of feminist critique, these paintings include facial features like mouths and eyes – motifs she continued to use well into the 1970s as a synecdoche for the female body. Lips in particular appear often, becoming a symbol for the unleashing of women’s protest in the face of oppression.
In rediscovering Parrocchetti’s decade-spanning body of work, symbolism becomes an important tool for understanding her feminist message. The artworks on display and their slogan-like titles still cover topics of great importance today, leaving behind a staunch legacy advocating for equality.

Clemen Parrocchetti, Installation view of Artissima, ChertLüdde Booth BTTF9, Turin, 2023; Photo by Andrea Rossetti / Tiziano Ercoli

Clemen Parrocchetti, Untitled (Boh!), 1977; Embroidered jute tapestry; 200 × 125 cm; Photo by Andrea Rossetti

Clemen Parrocchetti, Installation view of Artissima, ChertLüdde Booth BTTF9, Turin, 2023; Photo by Andrea Rossetti / Tiziano Ercoli

Clemen Parrocchetti, A proposito di un certo pranzo con croci, gioielli e fiori / About a certain lunch with crosses, jewellery and flowers, 1969; Household paint and acrylic on canvas in artist’s frame; 101 × 151 × 2.5 cm; Photo by Marjorie Brunet Plaza

Clemen Parrocchetti, Tagliatrice di Teste / Heads’ Cutter, 1969; Household paint and acrylic on canvas in artist’s frame; 101 × 151 cm; Photo by Marjorie Brunet Plaza

Clemen Parrocchetti, Installation view of Artissima, ChertLüdde Booth BTTF9, Turin, 2023; Photo by Andrea Rossetti / Tiziano Ercoli

Clemen Parrocchetti, Liberazione / Liberation, 1974; Embroidery, harmonica, pins, paint and wood; 54.3 × 21 × 25 cm; Photo by Marjorie Brunet Plaza

Clemen Parrocchetti, Installation view of Artissima, ChertLüdde Booth BTTF9, Turin, 2023; Photo by Andrea Rossetti / Tiziano Ercoli

Clemen Parrocchetti, Installation view of Artissima, ChertLüdde Booth BTTF9, Turin, 2023; Photo by Andrea Rossetti / Tiziano Ercoli

Clemen Parrocchetti, Fuori dal ghetto accerchiato / Out of the encircled ghetto, 1974; Assemblage, embroidery, spools and pins; 50.9 × 50.8 × 5.5 cm; Photo by Andrea Rossetti

Clemen Parrocchetti, Riemergere / Re-emerging, 1983; Embroidery, sequins, ink on paper; 25.2 × 18.2 × 3.2 cm; Photo by Marjorie Brunet Plaza